You might find it useful to watch the tutorial first.
- Installation and basic setup
- Using a Mantaflow (default) simulation
- Using a FLIP fluids simulation
- Using a custom flow map
- Using a constant flow speed
- Vortex Water Parameters
- Vortex Foam Parameters
- Reusing the internal flow mapping node
1. Installation and basic setup
First download the included .blend file wherever you choose. To use vortex, from within your current project use File > Append and select the file. In the folder NodeTree select Vortex Flow/Water/Foam and dependent node groups will automatically be imported.
Internal node groups use the naming convention "vtx > ....", these can be ignored.
The three main nodes can be used independently, but the easiest setup to get a good looking result is as follows:
The input values on the left depend on the source you want to use for Vortex Flow, see the section below for that. Animate the time value, the easiest way is to use the frame number with "#frame" as value.
2. Vortex Flow
2.1 Using a Mantaflow (default) simulation
Use the Texture > Point Density node and copy the the parameters as follows:
Object: The name of the fluid object, here called "Domain",you might have chosen a different name.
Particle System: The fluid particles, created by blender automatically and called "Liquid" by default.
Space: World Space
Color Source: Particle Velocity
Radius: radius can vary a lot depending on the scale of your scene and simulation settings. The easiest way to finetune it is by previewing the Color output (using an emission shader).
Setting it higher smooths the flow, but too high and you lose detail and performance is impacted massively.
Setting it too low can cause artifacts. Watch for pixelated back spots.
See the example below, note that it is supposed to look somewhat blurry.
2.2 Using a FLIP fluids simulation
Requires the attribute system from Blender 2.93 and an experimental build of FLIP Fluids.
First make sure that in the FLIP Fluids Surface settings, Generate Velocity Vectors is enabled when baking. Use an Attribute node with "flip_velocity" and connect the Vector output to Particle Velocity. Set Particle Density to any number that's (significantly) larger than zero.
At the time of writing, these features are not available in stable releases. Get an early build of Blender 2.93 here. Follow the instructions here to get a prototype build of FLIP Fluids that supports the attribute node. As they are experimental releases, reliability is not guaranteed.
2.3 Using a flow map with Vortex Flow
Using a custom flow map as input for Vortex Flow is straightforward. Connect your texture's color to Particle Velocity (assuming that you have made sure that it uses the correct UV map). Set Particle Density to a high number (i.e. 10.0), or the flow map will be overridden.
2.4 Using a constant flow with Vortex Flow
Note: If the flow direction is horizontal, you can also use the wind parameters.
Enter the Particle Velocity directly as a vector (x, y and z amounts). And like above, Set Particle Density to a high number. You might have to experiment with different values to get the direction you want.
The velocity used for computations by the Vortex Flow method. Source does not necessarily have to be particles (see 2.2/2.3). Relative to world space, so the flow direction is not influenced by object rotation.
Used to weigh the influence of Particle Velocity, as areas with low particle density can have inconsistent particle velocities. Set to a high value if not using a simulation as source. (related: see Density Blending below)
Animate this value. The easiest way is to write "#frame" as the value, this uses the frame number.
A multiplier for the time value. Determines the speed of both flow and wind. If frame numbers are used for time, it should be very small, values will then be near the range of 0.01 and 0.2.
The maximum distance that a wave can visually travel along the flow, determines the amount of distortion in the output. Unit is arbitrary and can range from 0.1 to 100 depending on the context.
Wave Animation Speed
Not the speed at which waves move with the flow, but the speed of the constant animation of waves. This value makes sure that waves vary over time even when there is no flow or wind. Similar to time scale, it should be a small value if Time is set as frame number.
Set the scale of the noise texture that determines how waves are created.
Set the detail of the noise texture that determines how waves are created.
Set the roughness of the noise texture that determines how waves are created.
Angle between 0-360 degrees for the direction that wind is moving in. Only has an effect if wind speed or wind stretching is non-zero.
The amount of velocity in the direction of Wind Angle, the resulting velocity is combined with the input of Particle Velocity and is affected by time scale.
Stretches waves perpendicular to the wind direction. This happens in real life when the wind is noticeably stronger than other reasons for water flow. So for instance standing water with wind blowing over it, or strong winds over the sea.
Related to Particle Density, it scales the effect where regions with low particle density (particles are usually only near the surface) ignore the particle velocity. Increasing this ensures a smoother transition from areas with high density to areas with low density. The exact amount depends on many different settings in your scene, tweak it so that the transition looks smooth but the surface still shows properly flowing waves.
3. Vortex Water
Vortex water is a shader that can be used independently of the other nodes in Vortex. It is used the same way as most shaders, with the addition that it has both a surface and volume output, these can be connected directly to the material output.
Most of the surface color is determined by the reflections of surroundings, this is value only determines the color of particles suspended in the fluid. This will most likely be yellow or brown for murky waters. Other fluids can have varying colours, fruit juice could for instance have a red suspension.
The density of the suspension, or the murkiness of the water. The best value can be very large or very small depending on the scale of your scene.
How much light is scattered back out of the surface (no effect if density is zero). Lower values make more light "disappear" and result in a darker surface. Higher values give more diffuse/scattered lighting. Value should be in the range 0-1. Lower values work better for deep oceans and higher values are better for shallow water.
The index of refraction, physical property that is 1.33 for water.
Max Refraction Rays
Limits the amount of refraction ray bounces. Only change this if you notice artifacts. Mostly useful if cycles is set to use a small number of bounces. Set it lower to remove black spots where there is a lot of internal reflection, 5 is usually sufficient. If it is too low, light will follow straight paths and not refract realistically. Setting it higher than the maximum amount of cycles light path bounces has no effect.
4. Vortex Foam
Vortex Foam takes in a shader of a fluid surface without foam. Mixed Shader is the input shader but with a foam shader mixed in. Alternatively, the Foam Factor output can be used as factor for mixing your own shaders with more control.
It has similarities to Vortex Flow. Particle Velocity and Particle Density can e connected the same way, see 2.2-2.5 for the different ways. Time can also be animated the same way.
See Particle Velocity in 2.5.
See Particle Density in 2.5.
See Time in 2.5.
See Wave Animation Speed in 2.5.
The amount of foam that is formed in areas of high curvature, like on the crests of wave.
The amount of foam that is formed in areas with large changes in velocity. Uses the Particle Velocity input.
The lower threshold from which a part of the surface is considered foam. Increase this if the entire surface looks too white. Likely a small value near the range 0-0.1.
The scale of the noise textures used to add extra variation to the foam.
The strenght of the noise determining what parts have foam and what parts do not. Increasing it above 1.0 gives sharper transitions between foam and water.
The strength of the noise used to make the foam shader look more rough and textured. Has no influence on Foam Factor, only on the shader.
See Density Blending in 2.5
5. Reusing the internal flow mapping node
Vortex Flow is a lot more advanced than "regular" flow mapping, but it is still used internally in the shader. This node is automatically appended with Vortex Flow and can be used on its own. It can be used to make any type of texture flow, for instance colour but also specular, roughness etc. For an explanation of the flow mapping cycle, see this site. Connect it like this:
Both of the textures on the right need to be the same one.
Animate the Time value, the duration of one flow map cycle is exactly 1 time unit.
The Flow Distance is the total distance that the texture is translated/deformed before the cycle restarts. A different Texture Coordinate than UV works too.