How to Deal with Criticism in (not only) Blender

Having run Blend Swap for going on 9 years now and running the Blender Market since its inception, I don't think it's an exaggeration to say that I've reviewed hundreds of thousands of models. 

While many people take my reviews and move forward, there are many artists that take offense to me handing out constructive criticism.

The good, the bad and the ugly of critique

I'll let you in on a secret: if you want to be a professional artist you have to learn to take constructive criticism as well as non-constructive criticism. Chances are, at some point you're going to have a boss or a client that hates something you created and tells you to change it in no uncertain terms. Take it from me: I went to a school for graphic design and worked in advertising for 10+ years and these things do happen. 

I get it. It sucks to have this amazing little idea that you birthed and helped grow just torn apart. Or be told that it's sucks. It's a blow to your ego for sure, but that's part of the game and the quicker you can learn to deal with it the better you're gonna be.

If all you want to hear is how great your art is and how talented you are, take it home to your mom, because this isn't the profession for you.

It's not about you, it's about your work

You are not your work; you just created it. Those are not the same thing, and your work doesn't define your worth. Don't get too stuck on the fact that something didn't work. You are going to create hundreds of thousands of creative products over your lifetime and not all of them are going to be crowd-pleasers.

When receiving a harsh critique, my go-to approach is to take a step back, breathe and try to relax before saying something I'll regret. I used to jump the gun and get angry at a creative director telling me something wasn't good. But my job was to accept it and make the required changes and many times after my initial temper tantrum I came to realize that the suggestions truly made sense. 

But not always: sometimes, I hated the suggestions. When this happens you need to pick your battles, because some are worth fighting and some are not. 

Prune your art critics

Not all critics are going to be constructive, especially if you're posting things online. If it's not constructive, give it no time. DON'T FEED THE TROLLS! 

Everyone has different tastes and perspectives. You need to decide which critics make sense to you and your art and which don't. How do you decide that? See who the critic is: an average Joe in an online forum, or an artist whose style and skill you respect? Your uncle, or a creative director with 30 years of experience? Evaluate their feedback in the context of its worth to your work, because not all critique is created equal.

Look at negative feedback as a challenge

One trick that really helped me when an idea or design would get shot down was to look at the critique as a challenge. I would ask myself: how do I create the result that the client or creative director wants, but still stay true to myself as an artist? 

This can be a great way to grow. It gives you a set of limitations and makes you create something new within given boundaries. 

Artists have some of the biggest and most fragile egos of any professionals that I know, which can impede our growth when not checked. Approach criticism with an open mind and honesty and it will make you a better artist in the long run. What's the alternative? Becoming a jaded artist who thinks they always know best and ends up realizing that things no longer bring joy.

What are some tips and tricks that you use to deal with criticisms?


  • d3pixel over 1 year ago

    Client Psychology 101. A graphic designer colleague once told me that most of her clients will always request tweaks here and there just because they feel the need to be seen as the one in control, the real perfectionist, so she adds small easily spotted imperfections into her work for the client to leap upon on thus making the job fixed in record time and everybody is happy.

    • Matthew Muldoon over 1 year ago

      Oh ya, I know clients like that, I'd always move something a few pixels over and then move it back and that would be good enough for them. LOL

  • claudio chalusse over 1 year ago

    Thanks... But slightly scares me... it's not easy receive critique.

    • d3pixel over 1 year ago

      Not all crit will be agreeable but just remember who pays the bills (or marks your work if in edu) and never get defensive. If the crit is from a paying client then bend over for them. If the crit is really stupid then your skills as a negotiator come into play to educate the client towards your expertise in the matter. If you are terrible at negotiation then just grit your teeth and do it. If the crit is public domain (YouTube / Reddit etc) then take that as just opinions and cherry pick what you agree with. No matter what you do, it will always be a learning experience that you can build upon.

      • claudio chalusse over 1 year ago

        Yes, I agree.

  • d3pixel over 1 year ago

    I have a funny one at the moment.  Working on an animation and a part of it shows a chrome nut spinning down a bolt into a recess.  This bit of the animation takes around 13 hours to render due to all the other things going on.  The client has said they want the chrome nut to look more shiny, more chrome.   Now the lighting and materials in this scene are all physically accurate so when the nut moves down into the recess it has nothing to reflect so goes almost black.   It looks correct to me because I understand how reflection works but explaining that to the client is not going to convince them.  The solution for such a simple request by the client will take me about a day in post creating animation mattes and then use After Effects to fake it looking reflective without breaking the CAD lighting or materials.  "Make it shiny" seems such an innocent request but has actually cost me a day faking it.The moral here I would say is take all client changes under proper consideration and never just say "yeah no problem" thinking it is a trivial fix while in a meeting. 

    • claudio chalusse over 1 year ago


    • Matthew Muldoon over 1 year ago

      I used to always fix client changes in After Effects. All day render or a few hours in AE, hmmm.

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